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It’s an honour to be part of an exhibition with the great artist Beata Kozlowska. In Wellington, we will be showing our latest works next week, from the 5th to the 11th of December 2016 at the Thistle Hall Centre.
5 December, 6.30pm – 9.00pm
Tues – Sun, 10.00am – 6.00pm
“Weaving Light and Space” is a first New Zealand based collaborative art exhibition by two visual artists with artistic careers in the UK: Beata Kozlowska and David Moraton.
The exhibition showcases their recent art works made in Wellington. Lines, strings and light are recurrent elements and main motifs of both artists’ installations, paintings, drawings and videos. Wherever placed three-dimensionally or represented on a bi-dimensional surface, these lines connect each other in weaving structures, mapping the space that they live in, creating complex organic forms and casting lights and shadows. Both artists find commonality in using lines and light to evoke the transcendental through abstract imagery, which constitute an integral part of their visual languages.
For Kozlowska, this results in a tangible vocabulary of motifs, layered marks and carefully re-edited forms, but within this matrix, the sequence is disordered and the originating mark is lost in the process of becoming something else. Moraton considers this experience more as a path leading to exploration of the Sublime in digital media.0
I am so happy to participate in the The 2016 Big Draw Festival, held this September 22nd 2016 at The Whitworth Art Gallery in Manchester, UK, where I will be exhibiting my video “Visus Sonitus I” and also my lecture at the Winner’s Gala of the Lumen Prize 2015
“Theatre of Colour and Movement”, collaboration of David Moraton with Beata Kozlowska, Toi Poneke Art Centre, Wellington, New ZealandSep 10 2016 ·0
Theatre of colour and movement, is a collaborative project made in Toi Poneke Art Centre betweeen Beata Kozlowska and I. Our collaboration revolves around the concept of interdependence as we are showing how two artists can fully blend0
“Drawing Music”. Lecture at the Baltic Centre for Contemporaty Art, London. Steam Symposium. The Big DrawSep 10 2016 ·0
Drawing has a vital role in my art. It defines the core structure and compositional rhythm of my works. And, by drawing digit0
I am so devastated to know about Einojuhani Rautavaara’s death…
My admiration for Einojuhani will always be alive, I will be eternally grateful for having had the chance to meet him, it will remain one of the most important moments of my life. As I have always felt our arts are vibrating by the same wavelength.
His Music will always exist inspiring and uplifting souls of present and future generations and my drive to honour his Art in a visual way has never been stronger. The second and third movement of “Cantus Arcticus” will have their visual equivalent.
My video, “Visus Sonitus I”, based on Einojuhani’s Rautavaara’s “Concerto for birds and orchestra, I movement”, seen at the background of the photo and in 3D with virtual reality Emoticono smile Exhibited in New York last December 8th to 10th 2015, at the NYIT Auditorium on Broadway as part of the Lumen Prize Finalists Global Tour
Visus Sonitus I
It’s oficial, I am one of the 25 finalists of the Lumen Prize 2015. Yesterday it was announced in Vancouver, at International Simposium of Electronic Art (ISEA). That means, my video Visus Sonitus I will be shown in a year global tour exhibition in Shangai, New York, London and Wales and I opt for the winner’s prize at the end of September.0